I began playing piano at age 6 and then drums at age 10.  I performed in numerous orchestra, band, and musical theater productions throughout my school years.  It seems that music has always been a part of my life even from an early age growing up listening to everything from Beethoven to Belafonte, Motown to Rock & Roll,  Big Band to Jazz, Folk music to Techno-Pop.  Artists like The Beatles, The Eagles, ELP, Deep Purple, Sly & Family Stone, Hall & Oates.  So many genres, bands, styles ... and I liked them all.

JUST US

At age 16 while living in Cleveland, I was recruited by John Goodworth to play drums for the St. Adalbert's Girls Choir, aka Just Us.  A Godspell-like youth choir from the Cleveland suburb of Berea, Just Us was booked multiple times on local Cleveland TV variety shows, including  Polka Varieties, The Gene Carroll Show, and even the local Jerry Lewis Telethon.

The High School GARAGE BAND with no name 

At age 17, my friends and I decided to start a rock band.  Since we were all drummers, we decided that our buddy Dave should be the drummer since he had the coolest kit: a Ludwig double-tom clear acrylic set!  I switched to keyboards/vox and my friend Carl brought his guitar.  We recruited Mike for lead guitar work and Jim for bass.  We were the epitome of a garage band with our cobbled up equipment and less than polished sound.  I played a Farfisa Combo organ through a Leslie I borrowed from John Goodworth (Just Us).  We only played 2 times: once for a New Year's Eve party and lastly for my High School graduation party [ LOL emoji goes here].  While we were far from great, we had a great time and our playlist was great:  Paranoid (Black Sabbath), Sweet Lorraine & Easy Livin' (Uriah Heep), Into The Sun (Grand Funk), Rocky Mountain Way (Joe Walsh), Evil Ways (Santana), China Grove (Doobie Bros).  Some of the 1st rock songs I ever learned.  

We thought we were rock stars! 

Theater and Pit Orchestra

While in High School I found some work playing percussion and drum kit in Cleveland area theater productions.  At Baldwin-Wallace College (Berea, OH), I played in "Bye, Bye Birdie" with other B-W college musicians.  In the Clague Road Community Theater production of "Jacques Brel is Alive and Well and Living in Paris", I played percussion.  I really enjoyed playing in a pit orchestra and playing percussion and learned that I was a very good percussionist, but just an OK drummer.  This would signal a musical change of directions for me.

Around 1985, after seeing Scott Shaull and Danny Overton perform, I knew I wanted to play in a band with them someday.  We started Miniture Buzzurd and eventually recruited Dave Foreman from Findlay, OH around the end of 1987.   We played 70/80's rock and were a good draw in NW Ohio from Toledo to Bowling Green to Lima.  The band's live chemistry and energy was undeniable.  Our playlists were a great mix of current 80's and classic rock - dance and deep cuts.  At our peak, we had an extended, busy schedule: 6 weeks of Th,Fri,Sat nights, then 1 week off.  We played hard, burned out fast, and although we were together only until 1990, but we made forever friendships.  Buzzurd reunions have taken place, with Mark Stears filling the bass duties allowing Scott to focus on acoustic and rhythm guitar.  As it turned out, I ended up performing with Danny, Scott, Dave and Mark in future bands.

   Classic line-up:  
- Scott Shaull (vox/bass/acousitic),
- Danny Overton (drums),
- Dave Foreman (vox/lead guitar),
- Stevie (vox/keys)
   
other Buzzurds:  - Mark Stears (bass, Reunion Buzzurd), 
                              - Tom Jaqua (original guitarist),
                              - Russ Wangler (guitar 1987). 

Here's a video from the archives of a deep cut we covered called "California Man".   Cheap Trick covered this Roy Wood (ELO, The Move) penned song on their album "Heaven Tonight" (the one with Surrender).   Our video was recorded at The Hollow Inn in 1988 and it became one of our favorite power rock tunes.  

Here's another deep cut from the Buzzurd archives.  Also recorded in 1988 at The Hollow Inn - MB covering Rough Boy by ZZ Top.

Mark Mikel is one of those rare multi-talented musicians who is skilled at songwriting, studio engineering, playing all musical instruments, and live performance.  His vocals are what Alan Parsons has called "Lennon-esq" ... a rare breed for sure.  Mark is good friends with Jeff Kollman and the Edwin Dare family, having written several songs for ED.  I joined Mark in 1994 when he was booked as opening band for Bad Co. at the Toledo Masonic Auditorium and he needed help covering live keyboards.   Soon after that show, I joined his Mark Mikel Hallucination band full time and while I was in the band from 1994- 1997, I provided keyboard support both in the studio and for live performances.  The MMH live shows included material from his LPs "Marikesh", "Sorghum Pudding", "The Idiot Smiles", "Blatant Ripoffs".   Mark Mikel's live shows primarily featured his original music, but he always like to cover one (just 1) somewhat complex track at each show ,.. a deep track that no other bands covered, like: Yours Is No Disgrace (Yes), Make Me Smile (Chicago), and I'm Just A Singer (Moody Blues).  Mark has gone on to a successful professional career in music, performing as a Toledo favorite and also working with well known professionals, such as Corky Laing (Mountain) and Alan Parsons (AP Project, Pink Floyd, Ambrosia) as well as Jeff Kollman and Chris Shutters.  On Alan Parsons' 2019 LP "The Secret", Mark wrote and performed a song called Fly To Me (with Jeff Kollman on guitar).

Mark is a skilled multi-instrumentalist and often records some if not all of the tracks himself.  Even though Mark is an excellent keyboard player, he and I have different styles.  He liked the way I laid down the organ groove to Going To a Love-in, the first track of "The Idiot Smiles" CD, and it made the cut to the LP.  I'm also credited with playing Rhodes on the track, but honestly it was just a piece of ear-candy that Mark came up with.  He told be to play the main riff on the Rhodes, which he had routed through his Wah pedal and a Fuzz box to his Fender guitar amp.  He close-mic'd the distorted amp and I played the riff while he worked the Wah pedal with his hands ... "tiny fingers rubbing your brain ..." about 2:30.

I arrived for a recording session at Mark's studio one day and at some point I shared with with Mark that I had created a new synth program on my VFX.  It was a screaming sawtooth synth I called "Tarkus", because it reminded me of Emerson's synths on the ELP track called Aquatarkus.  I was noodling around with it and Mark, also an ELP fan, liked what I was doing so much that he went to the control booth and started the tape machine recording along with a backing track playing.  I asked "what should I play?".  He said "just play whatever feels right, like what you were doing before [when you were noodling around]."   Mark always liked to have a little ear-candy on his LPs, and my 1-take synth noodling ended up at the end of the LP's final track called Pacificus (Half Man, Half Ocean).  Pacificus is an epic, soaring track on which I had already recorded the piano track and to finish off the song and album in style, Mark added the surprise, ear candy reprise of Bad Mouth.  

Give the whole song a listen because it's still one of my favorite Mark songs.  Go to about 6:00 for the ending and reprise with synth.    

The CD cover was purposely designed to mimic The Beatles white album; a blatant ripoff?  No, just classic Mark Mikel.  You may also notice that "The Idiot Smiles" cover has a similar theme as "A Hard Days Night".   Shout out to The Beatles for sure.  Anyone who knows Mark, knows that The Beatles are a #1 favorite band.   I recorded keys on 2 of the tracks on "Blatant Ripoffs" before moving on to the next chapter in my musical adventures.

In 1997, I was asked to perform in Findlay, OH at a homecoming concert with former Miniture Buzzurd bandmate Dave Foreman.  Dave was returning home from Florida and a back-up band was put together that included many of Dave's former bandmates including Scott Shaull, Chip McClurkin, Holly McConnell, Tony Cole, and Adam Nation,  The concert was booked at a club in Findlay called Moondoggies owned by Bob Freed (great-nephew of Alan Freed ... yes THE Rock-n-Roll Alan Freed!).   The concert was a success and the band's chemistry was so obvious, that once Dave returned to Florida, the back-up band decided to continue performing ... and Tongue n' Groove was born.  As a founding member and original keyboard player of the band, I performed with Chip and the numerous line-ups in TnG for 12 years until April 2010.    Aside from the original line-up, several of the other musicians I had the privilege to play with were Dave Foreman, Mark Stears, Rob Sexton, Jeff Gaskins and Dr. Ike.   As it turned out, Dr. Ike and I would reunite in 2014 in Big Red Deluxe.

Duo with Scott Shaull

While I was performing in Tongue n' Groove, long time friend and bandmate Scott Shaull invited me to perform with him as a duo.  We performed at the 2003 Findlay Balloon Fest and continued to perform together off-and-on for several years at various venues in the Findlay area.  Scott and I would eventually reunite our SnS duo about 15 years later.   As has happened often in my life of music, while playing with Scott, I met someone I would play with in another time:  Scott's guitarist friend Jerry Natal, who would join my blues band in 2016.